dOCUMENTA (13): Kassel discoveries

documenta

Our favourite aspect: CCB’s inclusion of Kassel’s urban space. Plenty of exhibition sites are to be discovered besides the notorious venues of Fridericianum and Documenta Halle. The most acknowledged of those „off-site“ spaces is the derelict Huguenot House built in1826 that was handed over to Chicago based artist Theaster Gates. He is concerned with communal space and the cultural upvalue of poor neighbourhoods; in 2009 he turned an abandoned property in Chicago into the communal cultural initiative Dorchester Project. For his dOCUMENTA (13) project he brought building materials from abandoned buildings in Chicago to Huguenot House in Kassel‘s Friedrichstrasse and hired workforce-development teams to revive the historic building. The joint effort resulted in the giant installation 12 Ballads for the Huguenot House: Three floors are open for discovery and filled with self-made furniture from broken-down material, numerous sound and video pieces about musicians on all floors and countless little DIY details. Everything oozes an aesthetic of Berlin’s adventurous, improvised 1990’s art spaces. But the furniture is actually being used: The house serves as living space for Gates and his entourage for the duration of dOCUMENTA (13), where they are constantly hosting talks, concerts and performances. In exchange, parts of the Huguenot House will later be transferred to a construction site in Chicago.

Gates’ poetic intervention at Huguenot House, combining an optimist and improvised aesthetic and the nostalgia of the ruinous, is not only a clever comment on the situation of marginally employed and marginalised artists, but also on Kassel’s rather sad urban development, which CCB has managed to revive at least in parts by choosing clever spots for artworks all over town.

Even more interested we are in this question: which was your favourite off-site venue?

P.S. Not so complex, but nonetheless enjoyable is Tino Sehgals performance in the backyard.

This is the third part of Niche Berlin’s thoughts on dOCUMENTA (13), read part one twoand four.

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  1. Carla on

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    wieso fandest du tino sehgals performance weniger komplex als das hugenottenhaus? das war eines meiner absoluten highlights, hatte eine unglaubliche energie meiner meinung nach.

  2. Niche Berlin on

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    Liebe Carla,
    ja, Energie hat sie, die Performance, und sie ist so schön immersiv und all das. Wir fanden sie ja auch toll und haben sie deshalb hier ebenfalls empfohlen. Nur regt sie unserer Meinung nach weniger komplexe Themen an als das sozial- und urbanismuskritische Projekt von Theaster Gates. Was nicht unbedingt heißt, dass sie deshalb schlechtere Kunst ist!
    Was haben die Tänzer denn gesungen und gemurmelt, als du drin warst?

  3. carla on

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    Liebe Niche,
    die Tänzer haben durchaus auch ökonomische Themen besprochen. In einem Gespräch ging es z.B. um die Industrie für fake asthma inhaler, die Kinder sozusagen als Placebo benutzen. Oder sie haben a capella Nelly Furtado feat. Timbaland gesungen, sehr witzig. Aber ich glaube, was mir so gut gefallen hat, war die Tatsache, dass Tini Sehgals Stück nicht nur zum Nachdenken anregte, sondern eben darüber hinaus ging und tieferliegende Bewusstseinsebenen angesprochen hat.

  4. Niche Berlin on

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    Liebe Carla,

    spannend, wir haben auch Nelly Furtado gehört. Und Du hast natürlich recht: Wir fanden die Reduktion der Sinneseindrücke und den damit verbundenen Rückzug ins Innere auch wundervoll.

    Beste Grüße

  5. anytram on

    Reply

    totally agree,
    hugenot house was one of the most impressive things +
    tino seghal’s instalation, round the corner.

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