One of the great things about cinema is that it becomes your reality for the length of a film, no matter how surreal or fantastic, weird or artificial it presents itself. In the case of animated pictures you are even looking at a painted reality which can still be more touching and thrilling, exciting and, in fact, close to life than a regular film. This week’s film tip, Alois Nebel, was made with the special method of roboscobing, which consists of taking previously shot real film material and repainting it (almost) frame by frame and then putting it together as an animated film. The result of this is visually stunning. What’s more, Alois Nebel is the translation of a story that is taken from a graphic novel, originally set in the real world and then put into a very special film.
Ursúla Guðmundsson likes to polish her nails. She says it’s important because her hands are very precious to her. We watch her carefully apply the polish on her 80-something year-old hands and we realise that she is trying to match the pink with her lipstick and her outfit. When Ursúla was a young woman, her hands bled from the manual labour she did and hurt from the washing powder she used to handwash the clothes of 13 people every week. Ursúla Guðmundsson was born Ursula Quade and emigrated from Germany to Iceland after the Second World War. She is one of six enigmatic older women that director Heike Fink portrays in a beautiful film that talks about a little known part of German migration.