Berlinale 2018: How to get tickets (& what to see)

Jan Windszus © Berlinale 2013

This is a newly updated version of our guide.

I’ll be honest and admit that, to me, Glühwein and snow are way overrated. Winter as a whole I could do without, tbh. But there’s one reason I don’t skip Berlin for all of its winter months and that’s Berlinale. For ten glorious days, at any time of day, we have our pick of dozens of different films. Most are from corners of the world I’ve not yet explored (Burma! Paraguay! the Democratic Republic of the Congo!), though there’s also Perspektive, an entire program of homegrown German titles (with English subtitles, of course, like all non-English films in the festival).

Whatever glamorous image the advertisers want to conjure up, though, the Berlinale is not about celebrities (though they always have a couple in the mix; this year the unlikely “star” is Ed Sheeran), it’s about the smallest stories on the biggest of screens. So when stars do show up in the Competition, they are breaking down their heartthrob image (Robert Pattinson as a dim-witted cowboy in Damsel), hiding from the press (3 Days in Quiberon, about everybody’s favorite dead lady, Romy Schneider), or voicing a dog (Scarlett Johansson, Bill Murray, and Greta Gerwig in Wes Anderson’s new animated romp, Isle of Dogs).

I try to avoid films that come pre-charged with buzz from other festivals, since you can usually always catch them in regular rotation during the months to come, but this year I’m definitely not going to miss Josephine Decker’s Madeline’s Madeline, which will see the welcome return of Miranda July (playing a mom, because I’m very old rn). Other things I’m excited about are the new TV version of Picnic at Hanging Rock, the bright crop of Polish cinema (Mug and Tower. A Bright Day.), and the documentary about M.I.A., which should rehabilitate her after that truffle-fry hatchet job. Pair it with the doc about Brazilian trans superstar Linn Da Quebrada!

What follows is a quick and dirty guide to how the festival works, and how you can score tickets with the least amount of frustration. Before studying the program, all you need to know is that — and I’m simplifying here — Competition films are the ones in, erm, competition; Panorama films are by semi-established international filmmakers; Forum and Forum Expanded are younger, riskier, and artier; Generation ones are (not just!) for kids, and only €4; and the other, smaller sections are fairly self-explanatory. All of them (aside from those blatant red-carpet ‘Specials’ that are there so that Gala and L’Oreal will still show up) are guaranteed to be special or great or crazy or stunning ortcetera.

film fans at berlinale 1963
Film fans at the 1963 festival © Berlinale

You can download the program brochure at the Berlinale website, or pick up a paper copy for handy marking up at the Arkaden or in other cinephile locations around town. And if the sheer number of options seems paralyzing, there’s always seats left over somewhere; simply try the box office at any participating theater on the day of and let the fates of film be your guide (remember, they don’t take cards!). Students and other disadvantaged folks pay half price for same-day tickets, and starting half an hour before every Berlinale Palast screening starts, all left-over tickets for screenings there are 50% off!

If you do have a wish list, use the Berlinale’s handy programming tool and apps, and figure out what goes on sale when. Though the festival only releases a limited number through their website every morning (online sales do not exactly encourage a fun festival vibe, I guess?) and you’ll have to pay a €1,50 surcharge per ticket (Update, they lifted this charge this year), you will be able to get tickets at home. (You’ll need an Eventim account, though, best set that up beforehand.) When you’re successful (coordinate with your friends every morning over coffee and Skype!),  you can either print them out, get a special ‘mobile’ ticket, or — if you love lines — pick them up with your printed confirmation at the Arkaden.

If the online contingent is sold out, or you just don’t trust the speed of your internet connection, you can bring snacks and line up early at the Potsdamer Platz Arkaden, at Kino International, at the Haus der Berliner Festspiele, or Audi City Berlin out west. What’s more, and this is might be the best tip I’m giving you here today: for a €2 surcharge you can get tickets for ANY screening that is for sale (see below) at ANY Berlin ticket office (Koka36 on Oranienstrasse, for instance). Just be sure to note down the ticket code for your chosen screening beforehand (find it in the printed program or on the website), so those poor devils won’t have to wade through all the Berlinale events to find the one you mean.

Berlinale 1961 at Zoopalast © Heinz Köster / Stiftung Deutsche Kinemathek
Berlinale 1961 at Zoopalast © Heinz Köster / Stiftung Deutsche Kinemathek

Now, as for when you should buy your tickets, that’s where shit gets crazy German (and I mean that in the nicest way, sort of): starting Monday, February 12th, 10:00am, you will be able to get tickets for ALL screenings at the Friedrichstadt-Palast, HAU, and those in Culinary Cinema and Berlinale Goes Kiez (which just might take the Berlinale to the cinema around the corner from you in Friedrichshain, Mitte (ACUD!), heck, even in Weißensee or Adlershof, check the entire list here).

That same day, you’ll also be able to buy tickets for ALL screenings on the Berlinale Publikumstag (February 25th), when the awards have been awarded, the filmmakers have mostly left, and us regular folk can take over the festival grounds (hence the friendlier pricing: €8 per screening, €4 for films in the Generation kids program).

Though this already seems like being spoiled for choices, many more tickets actually won’t be on sale yet on February 12th, as they only go on sale three days in advance (again, a smaller number of tickets online and the rest at the three main ticket offices). Just to fuck with people (I can only assume), tickets for repeat screenings of Competition films may be purchased four days in advance. Dizzy yet? I bet just showing up and catching whatever’s playing is sounding pretty sweet right now, but it really isn’t that complicated when you use Berlinale’s ‘Programme Planner’, which clearly shows when exactly the screenings you’ve selected will go on sale. As for snacks, remember that there’s a street food fair set up on Joseph-von-Eichendorff-Gasse right near the main venues at Potsdamer Platz, starring all your favorites from Bite Club, so no need to resort to bland mall food at the Arkaden.

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  1. Noa on

    Reply

    Thanks for the guide. Any ideas where can I sell/buy second hand tickets? for sold-out screenings for example…

    1. Florian on

      There usually are a few people standing outside the cinema with spare tickets to sell, or small signs looking for tickets, but not nearly for all movies…

  2. Lidia on

    Reply

    I think I am dreaming, but did they get rid of the 1,50€ Eventim charge?! Happy Berlinale season!

    1. Florian on

      Indeed! And yay!

  3. Gil on

    Reply

    Just to stop getting crazy and calm myself if it’s an impossible mission. I’m arriving in Berlin 17th around 11:30 am and I want to attend Isle of Dogs (apparently) last screening at 5:30 pm, will I be able to get tickets if a que at that hour? Thanks in advance!

    1. Florian on

      Sorry I only saw this now, Gil! I hope you made it into the screening…

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