Last Saturday Mitte saw the opening of the year: finally, after several delays, the Christoph Schlingensief exhibition, curated by Klaus Biesenbach, Anna-Catharina Gebbers and Susanne Pfeffer with the artistic advisory of Schlingensief’s widow, Aino Laberenz, was opened at Kunst-Werke. What was initially planned by Pfeffer and Schlingensief himself, is now, three years after his death, finally visible in the in Auguststraße – although the curators repeatedly insist that it’s not a retrospective, not a concluding show, but the starting point for various inspections of Schlingensief, it’s certainly the broadest survey of his creative work to date. Which also means you should take your time to get at least a glimpse of the massive amount of material on display. Some say you’ll need five days to view it all.
The re-awakening of Berlin’s art scene after summer break was heralded by the opening of Egyptian artist Wael Shawky’s first extensive solo exhibition El Araba El Madfuna at KW Institute for Contemporary Art.