Fries and public pools are tightly connected in Berlin – when you’re spending a day at one of the city’s pools, it’s inevitable to eat fries at one point during the day. It’s a Berlin summer ritual. And one that one of my closest friends, Nele Heinevetter, has been following meticulously for years, until she had the opportunity to become the master of the ritual herself and take over the Imbiss at the pool inside of Humboldthain park, where she now serves fries with a side of contemporary art.
Tag: niche berlin
On Friday, May 1st, all 47 participating galleries will host vernissages for Gallery Weekend shows. All fourty-seven of them. How to survive that visual information overload, you ask? The connoisseurs of art and architecture tours Niche Berlin suggest you stick to the artists you truly wish to see, to the people you truly wish to support or to the places you truly wish to discover. Don’t get distracted! We have gathered tips for three extraordinary art locations that complement the official Gallery Weekend program and will make your weekend more memorable by with stunning views and atmospheres, guaranteed.
dOCUMENTA(13) is almost over. In several visits Niche Berlin managed to discover quite a lot – albeit not everything. Yes, it’s been impressive. But we’re far from being at one with each other about whether we found it brilliant or a bit too zeitgeisty (animism, urban gardening, Afghanistan). Either way, we’ve seen many, many good art works. And each trip was definitely more than worth it. For those who still haven’t paid their visit yet – here’s our final shortlist of contributions not to be missed.
One of our highlights at this year‘s dOCUMENTA(13) main venues certainly was Neue Galerie. We got absorbed by contributions, which not only engaged with the medial conditionality of our “reality”, but did so by means of an unconventional take on their respective artistic medium, such as seen with Wael Shawky, Roman Ondak or Geoffrey Farmer.
Since we addressed the topic of resting already: The documenta-Halle is the perfect spot for a pause. It’s entirely dedicated to »artworks thinking through what painting is today«. Albeit their political, socio-critical contexts the exhibition is intensive and yet quite a lull in the documenta-overload, because the different artistic positions share the leitmotif of repetition and layering. The resulting contrast of serious issues and calming form is super interesting.