The re-awakening of Berlin’s art scene after summer break was heralded by the opening of Egyptian artist Wael Shawky’s first extensive solo exhibition El Araba El Madfuna at KW Institute for Contemporary Art.
One of our highlights at this year‘s dOCUMENTA(13) main venues certainly was Neue Galerie. We got absorbed by contributions, which not only engaged with the medial conditionality of our “reality”, but did so by means of an unconventional take on their respective artistic medium, such as seen with Wael Shawky, Roman Ondak or Geoffrey Farmer.